The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. It begins with that queer piccolo solo. “For my own part I have come fully now into my inheritance. Back, that you may be close together. ‘I want a word with you, my lad. “You must not think of me as one. She held it down with the poker, looking nervously over her shoulder. ‘The truth is, Everett,’ she said brightly, limping up to the general and tucking a hand in his arm, ‘that the girl is you all over again. And through it all, like a golden thread on a piece of tapestry, weaving in and out of the patterns, the unspoken longing for love. The white haze of poison clouded her eyes. “But what are you going to do?” asked Hetty. ToC On the night of Friday, the 26th of November, 1703, and at the hour of eleven, the door of a miserable habitation, situated in an obscure quarter of the Borough of Southwark, known as the Old Mint, was opened; and a man, with a lantern in his hand, appeared at the threshold. Not a word was uttered for some time, nor any sound heard except the stilled sobs of the unfortunate mother. They were all stout ill-favoured men, attired in the regular jail-livery of scratch wig and snuff-coloured suit; and had all a strong family likeness to each other. The Night-Cellar.
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