They are arbitrary and unjust and dogmatic and brutish and lustful. Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. There was a short, red-faced, resolute youth who inherited an authoritative attitude upon bacteriology from his father; a Japanese student of unassuming manners who drew beautifully and had an imperfect knowledge of English; and a dark, unwashed Scotchman with complicated spectacles, who would come every morning as a sort of volunteer supplementary demonstrator, look very closely at her work and her, tell her that her dissections were “fairish,” or “very fairish indeed,” or “high above the normal female standard,” hover as if for some outbreak of passionate gratitude and with admiring retrospects that made the facetted spectacles gleam like diamonds, return to his own place. Her sleepless night had left her languid but not stupefied, and for an hour or so the work distracted her altogether from her troubles. "How do I know you are a friend?" asked Darrell.
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