” “If you dare—I dare,” said Ann Veronica. ‘Yes, th-there it is,’ she uttered, stumbling a little over the words. “Have to take your turn,” he remarked laconically. But in its stead—toward morning—there appeared another idea which appealed to him as sublime, appealed to the primitive conscience, to his artistic sense of the drama, to the poet and the novelist in him. He became a little more personal and intimate. Melusine, intent on the luckless Kimble, did not care. Her natural instincts reasserted themselves.
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