Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She described the Goopes and the Fabians to him, and gave him a sketch of her landlady; and he talked in the most liberal and entertaining way of a modern young woman’s outlook. For an instant, Gerald wished the rest of the world away that he might go to her and administer appropriate comfort. “I shall probably want you to come down to the ‘Unusual’ to-morrow morning,” he said. ‘Because you are a bête, and a pig, and imbecile. Leastways, she’d be your greataunt, wouldn’t she?’ Astounded, Melusine was just about to demand further information, when a commotion outside the room interrupted her. She could not say who, not yet. “I am sorry for the way I acted, Lucy. "I haven't a word to say, Ah Cum, not a word. He went over his interview with her again, their conversation at dinner-time. Shame and electricity coursed through her veins, flowing directly from him in a flash flood. But it was of vital importance to Melusine, and Gerald felt he must pursue it.
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